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Music

Mind Equals Blown: Daddy’s Beemer Ain’t Scared of Nothin’

I had the chance to interview South Carolina indie rockers Daddy’s Beemer for Mind Equals Blown.

The band’s story from college to now resonated with me as a recent graduate fascinated with community and setting. From building a special scene at Clemson, to recording an entire record out of a family cabin in the woods, the trio’s relationship with place was hard to ignore.

I interviewed the band with another writer on the site as they promote their debut full-length record, Denmark. The album will be available for download and streaming on Bandcamp, and wherever you stream music, this Friday.

You can read the piece here. If you want to keep up with Mind Equals Blown, be sure to head to Facebook, Twitter and Instagram.

My Latest for the Site

Categories
Music

Mind Equals Blown: The Post-Genre Reality of The 1975’s Notes on a Conditional Form

My latest for Mind Equals Blown sees me unpacking the newest record from The 1975, Notes on a Conditional Form.

Musical ambition is a necessity in an era where the lines between genres and scenes has blurred beyond value. No other band has tackled this rapidly changing reality more explicitly than The 1975. This record does a great job of playing guitar music against denser experimentation, using the two to discuss personal and societal challenges in a one-of-a-kind way.

None of this is to say that the record is an unfettered masterpiece. In fact, I can imagine its legacy elevating or deflating depending on how we grow to accept our current reality as part of our future. No matter what, a record with that much on its shoulders is a feat worth recognizing.

Be sure to give the piece a read here. You can follow Mind Equals Blown on Facebook, Twitter and Instagram to keep up with what our team of music and pop culture fanatics are putting out.

My Latest for the Site